Everything and Nothing, 1999 is comprised of nine different sized clocks, each in the shape of one of the planets in our solar system. The image for each planet was chosen by the artist from a wide range of available images including many NASA photographs, but ultimately the image chosen to represent each planet was an intuitive one, which for Hodges meant which colors and surface details reminded him of which planets he had or made personal memories of. Each clock also has a different set of hands, whose shape and color follow the same logic. All are set to run at different times, with one clock chosen to run at the 'correct' time. Like other Hodges sculptures, the work is made from inexpensive store-bought materials. A soothing effect is created by the quiet ticking of each of the clock's mechanisms. The piece is arrayed horizontally on a wall in a spray-like pattern, reminiscent of the artist's silk flower works. However, it can also be arranged in a straight line. Everything and Nothing can be seen as a reflection on one's individual perception of time. This edition was included in the artist's solo exhibition at the Museum of Contemporary Art, Chicago, IL.